The EM68G microphone is a great addition to any content creator’s setup.

Over the past couple of months, I’ve been thinking heavily about starting a podcast. I love performing, but I have horrible stage fright. So, being in front of a camera just doesn’t suit me well. I have found, however, that being behind a microphone is comfortable for me. In the process of planning for this podcast, I have taken stock of the equipment available to me and was looking at options for microphones.

When you are trying to select the best microphone for your recording purposes, there are a couple of different factors to consider. First, you want to determine the ‘type’ you want. There are three main types that are used for modern content creation — dynamic, condenser, and ribbon.

Even more important than the type of microphone you choose, is the polar pattern — or the direction — from which the microphone records sound. There are three common polar patterns:

• Cardioid — unidirectional; picks up more sound from the front than the back and sides. These mics are great for recording close-mic settings since they block leaks. They are commonly used for podcasts and other voiceover recordings.
• Omnidirectional — picks up sounds equally from all sides. This mic will pick up ambient noise so it’s best to make sure you have a studio or setting where you can control the sound situation around you.
• Bi-Directional — also known as ‘figure 8’; picks up sound from either side of the capsule, but rejects the sound coming from the front. Most useful for recording an ensemble in a studio.

The EM68G RGB USB Condenser Microphone from Godox features a cardioid polar pattern so, it couldn’t have come at a better time for me to test it out.

About the EM68G Microphone

The EM68G is designed to be a streaming companion for content creators. With its cardioid recording pickup mode, it puts the user at the center of the channel and reduces ambient noise. It has a built-in high-density sponge to diminish pops.

The EM68G comes in a simple box with a black cardboard wrap around it. The microphone is pre-attached to its stand. The mount for the mic is flexible and sort of a shock mount and it’s secured into the mount using small screws. The microphone could be removed from its table stand mount and placed into a boom arm with a shock mount that is adjustable.

The stand itself is weighted nicely and it can counterbalance the microphone even if it’s tilted at its most extreme angle — approximately 45º. The back of the stand has a long cutout for cable management. The microphone is powered directly through the USB-C cable that connects to the computer. There is also a headphone port on the back of the microphone so that you can monitor your voice while you record.

The microphone has three unique features built into it — the mute button, the gain level control, and the RGB light. The mute button is touch-sensitive and it’s either on or off. The RGB light ring is only included to indicate when the mute function is enabled or disabled. When the light is off the mute function is on; when the light is on, the microphone is active.

The default color for the RGB ring is red, but users can adjust the light effect by using the companion app (Godox Mic). The lighting effects are the only feature controlled within the app. it’s free to download and very easy to use. Once you have it downloaded, you set up a user account/password and then connect to the microphone via Bluetooth. There is no option on the microphone for turning Bluetooth on or off. You can switch between monochrome on, monochrome breathing, gradient, RGB loop, and sound effects mode.

Specs

• Directivity: Cardioid
• Frequency Response: 20Hz-20KHz
• Mic Sensitivity: 38dB±2dB
• Max. Sound Pressure Level: 110db
• Signal Noise Ratio: 75dB
• Sampling Rate: 48KHz
• Compatible PC System: Win7/Win8/Win10/Mac OS
• Smartphone APP Compatible System: Android/IOS
• Microphone Dimension: 58x186mm
• Microphone Net Weight: 247g
• Bracket Net Weight: 412g

Pricing & Availability

The Godox EM68G RGB Cardioid Condenser USB Microphone has a list price of $129 and it’s available through B&H Photo and Adorama. The mic can also be purchased on Amazon, but it’s provided through a third-party seller and the pricing isn’t aligned with the other online sources.

Things that I like and Things that could be improved

I have really enjoyed using the EM68G microphone. Because it uses plug-n-play technology, it’s super easy to get started with. I also like that it doesn’t come with a lot of unnecessary accessories. The only things in the box with the microphone is a USB-C to USB-A cable and its manual. The built quality of the microphone and its stand are very professional.

I have used several different USB mics and think this is one of the best as far as design goes. I love that the stand is already assembled and the mic is connected because it adds to the quick and easy nature of this device’s setup.

I found the recording quality to be quite amazing. I recorded some test tracks for the podcast I thought up and was highly impressed with the sound quality. My voice came through very clearly and there was a lot of dynamic range in the sounds that were captured. I was recording in my office, which is just a spare bedroom in our house.

The floor is carpeted and the walls are not completely bare but the room is far from soundproof. That said, there really wasn’t a lot of ambient noise captured. My fiancé was playing a video game with some friends online while I was recording and the mic did not register any noise he was causing. The EM68G does a great job of isolating the subject that is recording from the surrounding noises.

The gain control on the microphone is a great touch. It’s easy to use and because of where the dial is included, the user can easily adjust it while recording if necessary.

One thing that I would like to see improved is the sensitivity of the mute button. I had some trouble getting the surface to capture my touch when I was trying to enable and disable the mute function. It’s possible that this was user error in where I was placing my finger, but it would be nice if there was a way to adjust the sensitivity of this button.

I also feel that there is room for improvement with the companion app. It serves its purpose just fine and works as it is designed to, but it seems strange to me to have an app for a microphone that only controls the lighting effects. Perhaps more features can be added in the future.

Conclusion

The EM68G microphone is a great option for content creators. Its ease of use, recording quality and added features really make this a worthwhile investment. The price is more than fair and it really looks great when it’s in use.

For more details, visit Godox, Facebook, and Twitter.

The ‘best’ doesn’t necessarily have to cost an arm and a leg.

I’ve said for years that our world is becoming increasingly more digital by the day. This year, 2020, has proven that more than ever before. We have turned to streaming video and our smartphone’s cameras to communicate and to connect with each other. There are more people turning to video to hone their creativity from their homes rather than out in the world. While smartphone technology has certainly come a long way in the past few years, it may not be the best option for video or audio recording when you want a broadcast-quality product. One of the most important pieces of equipment you can invest in these days is a good microphone. Deity’s V-Mic D3 Pro is one of the best options available today. It can be used as an on-camera microphone or as a standalone audio input device.

DETAILS

Dubbed “the world’s first smart microphone,” the V-Mic D3 Pro can connect with just about anything that uses a 3.5mm microphone jack. That means it can work with not only a DSLR, but also phones, tablets, bodypack transmitters, and even computers. The microphone contains a microprocessor that ‘digitally shakes hands’ with anything it connects with. This microphone has a steeples gain knob incorporated onto the body (the world’s first microphone to do so) that allows the user to adjust the audio gain up to +20dB. There is a bump guard on each side of the dial to prevent users from accidentally turning the dial. The V-Mic D3 Pro is rechargeable. It features a 320mAh lithium-ion internal battery that provides up to 74 hours of standby time and 51 hours of runtime. The battery can be charged in less than 2 hours. 

TECH SPECS

PERFORMANCE

CONNECTIVITY

POWER

PHYSICAL

USER EXPERIENCE

The microphone kit comes in a daily simple retail package. The box is brown cardboard with details printed all around the outside. There is an illustration of the microphone in use on the front. The version I have is the “Location Kit” so it comes with the D3 Pro, windscreen, Rycote suspension shock mount, TRRS coiled audio cable, Type-C charging cable, case, product manual, Rycote shock mount with handle, and D-XLR connector. In my opinion, it’s everything one might need to get started with recording audio on location. 

Connecting it to a DSLR is super easy. There is an input port on the camera that you use the audio cable that comes with the Deity mic. On my camera – the Canon EOS 5D Mark IV – you have to place the camera into M-mode, but it will automatically notice that an external mic is connected and use that as its input source. There are a couple of features that are total stand-outs for this microphone. First, the mic has a microprocessor in it that makes it an ‘intelligent’ microphone. The product can detect the needs of its connected device and will adjust accordingly to make sure it’s as compatible as it can be with other products. This also means you don’t have to worry about carrying different adapters around to make the microphone work with different cameras or recording devices. 

Second, is the gain control that is on the camera is quite useful. I used it quite a bit when recording. Can I control the gain through the camera menus? Of course, but it’s much easier to increase or decrease the gain on the camera. Deity made it a great control system since they incorporated a dial instead of a toggle switch. One of the biggest ‘wins’ that the Deity D3 Pro has in its wheelhouse is its rechargeable battery. I love that this microphone doesn’t utilize disposable batteries. Not only is it better for the environment, but there is nothing worse than getting to a shoot and needing spare batteries. With this microphone, you could potentially connect an external battery pack while shooting if the battery was dead.

So, how does it sound? I found that the microphone provided a very real representation of the sound it was recording. One of the tests I did include connecting the microphone directly to my iPhone using the Lightning to 3.5mm adapter that Apple provides. I recorded a quick soundbite to test if the connection would work and to see how well the microphone with the windsock attached would deaden ambient noise. For this test, I had a fan running in the background. Halfway through the recording, I took the windsock off. While I was recording, I wasn’t sure how what the outcome would be, but after listening to it, you can tell that some of the ambient noise is deadened and there is a slight harshness to my voice that wasn’t there where the windsock was in place. 

In addition to recording with the iPhone, I also recorded directly to my Canon DSLR when shooting some video and I also connected the D3 Pro to my MacBook Pro so that I could use it as an external microphone for video conferences. Each time I used the microphone it performed admirably. One of the things I like the most about it is how versatile it is. You don’t have to be confined to using it to record video interviews – it can work just fine as a connected microphone for podcasting or vlogging, too. 

CONCLUSION

The Deity D3 Pro is an affordable, professional piece of equipment that doesn’t disappoint. It has great features built-in and also provides a quality recorded product. The Deity D3 Pro is available in different configurations. I have the Location Kit, but you can find it with just the microphone and its necessities. The Location Kit retails for $288 (at the time of publishing), but you can also get it with just windsocks and the shock mount for $199. The D3 Pro is a great microphone for beginners and professionals alike. It’s super easy to use and does a great job in the field. 

For more details, visit DEITY, Facebook, and Twitter.

A solid option for audio recording.

Over the past few years, I’ve spent time gathering essential equipment for photography projects as well as video jobs. For a while, I made hand-held microphones work as my primary source of audio recording, but I quickly realized that having a wireless lavaliere microphone set would work best. I’ve tried a couple of different brands before, but haven’t found a perfect fit yet. The Voical Air Wireless Microphone System is a cost-effective option that is worth looking into. 

DETAILS

The Voical Air Wireless Microphone System from Pixel features a mini UHF wireless microphone. The UHF microphone has a larger dynamic range than a microphone that uses 2.4GHz technology. It also has less interference. The wireless receivers and transmitters of this kit have an operating frequency range of 570-606Mhz and a working distance up to 70m. There are 36 channels available to use if the user encounters frequency interference. The microphone systems boasts SNR > 90dB which means there will be less noise mixed in with the signal so that the microphone delivered the closest original sound while reducing background noise. 

The receiver and transmitter packs feature double OLED screens so that you can monitor fluctuation, channel frequency, db input volume, monitoring volume, battery status, and signal on the screen. All of these options make it possible to know your device’s status and make instant adjustments at any time. The microphone is miniature in size so it’s ideal for portable use. It features a built-in rechargeable battery (600mAh) and supports a USB Type-C interface. The battery will provide up to 6 hours of runtime and takes approximately 1.5 hours to recharge to 100%. The input/output interface is a 3.5mm TRS/TRRS audio connection (some devices may need a transfer interface adapter). The microphone is compatible with DSLR, smartphone, camcorder, audio recorder, laptop, and more. The system can be mounted onto cameras using a cold shoe adapter (included with the kit). 

USER EXPERIENCE

The microphone system arrived in a nicely designed package. The box is well-identified for the product and brand it represents. The official name of the device is the “Voical Air Wireless Microphone System.” I have to admit that I did question whether or not this was a typo as my eyes first centered on the word ‘voical’ and read it as ‘vocal’. There was one place on a product page that actually referred to it as the “Pixel Vocal Air,” but I determined that was the typo. 

The front of the box shows an image of the receiver and the transmitter packs. The sides of the box call out the main features and some safety instructions on using the system. The back shows another photo of the receiver mounted on a camera and a chart with specs. Because the box is mostly black, this image was a little hard to see well. It sort of faded into the background. 

When you open the box, you will find the kit nestled away into a hard shell case, which I personally love. There are lots of different parts to this system and keeping them safe and organized without this case would have been a nightmare. Inside the case you will find the receiver and the transmitter packs along with the cold shoe mount in the base of the case. The lid of the case has a netted storage compartment where you will find 2 x 3.5mm audio cables, the lavalier microphone, a 3.5mm to Lightning audio cable (for use with iOS devices), and 2 x USB-C/USB-A charging cables for the packs. The lavalier microphone comes with a windsock and lapel clip pre-installed. 

The receiver and transmitter that came with my kit both had full battery charges out of the box. That could vary depending on how long the product sat on a shelf prior to being shipped out, but I think it’s safe to assume that the kit will arrive with some charge to it. While I’m on this topic, I want to say how amazing it is that this kit is rechargeable — and uses USB-C! I’m still surprised by how many devices ship with Micro USB interfaces these days and I was ecstatic to find USB-C with this kit. The receiver and transmitter look nearly identical with the exception of the ports available on the top of the units and the placement of the clips on the back (the transmitter has a microphone on the top). When you turn the units on the display shows “RX” and “TX” to designate which pack is which. There is a level on the display that makes it easy to see when the transmitter is picking up an audio level. The receiver’s display level should match it pretty closely. 

The system is very easy to use. You plug one of the 3.5mm audio cables into the receiver and the other end into your recording device. I was shocked that a Lightning to 3.5mm cable was provided along with the kit and was eager to use it with my iPhone since I do record quite a few interviews that way. So, in order to test the kit out, I decided to record audio to two different devices. The first test was to record to my iPhone using the provided cable. I plugged the lavalier microphone into the transmitter even though it has a built-in microphone and then I plugged the receiver into the iPhone. I opened the VoiceMemo app and recorded a few short sentences. The sound quality was good, but I did hear some static/hiss in the background. I assumed that it was from a fan that I purposely left on in the room where I was recording so that I could see how well the microphone filtered out that noise. Since the background noise was minimal, I think it did a pretty good job. 

The next test I did was to read an excerpt from a book (“Peter and Wendy” by J.M. Barrie) and record it onto my iPhone first without using the wireless kit and then with using it. The iPhone does a pretty good job with its built-in microphone and the recording was clean. When I used the Voical Air Wireless Microphone System, the background noise was definitely knocked down and my voice was filtered through the windsock. It sounded as if it was recorded using an attached microphone and not just the built in one. I also tested the microphone using a Canon DSLR. The audio was recorded to the video clip as planned and it sounded very good. 

CONCLUSIONS

The Voical Air Wireless Microphone System by Pixel is a great addition to any camera kit. If I had to rate the sound quality of the recordings I would give it a solid 7 out of 10 and would suggest this kit to anyone looking to add a wireless kit to their system. It’s cost-effective and very easy to use. The added bonus for me is that it’s all rechargeable. The Voical Air system is an all-around great option for audio recording.

For more information, visit pixelhk.com, Facebook, and Twitter.

A great audio recording option for any photographers or video professionals.

I’m always on the lookout for good, quality gear to add to my ‘go bag.’ One thing I’ve learned after shooting interviews and being asked to record quick videos at events is that you can’t underestimate the value of a nice wireless lavalier system. For me, an ideal kit is one that I can just toss into my equipment bag without adding a lot of extra weight. Enter the Movo WMX-1 Wireless Lavalier Microphone System. 

DETAILS

The Movo WMX-1 Wireless Lavalier Microphone System is a universal microphone system that can be used with most DSLRs and even some smartphones. The lavalier microphone is omnidirectional in order to provide uniform frequency response. It’s also designed to minimize environmental noises. The transmitter allows you to record audio up to 200 feet away from the receiver using a 2.4GHz spectrum. Both transmitter and the receiver are powered by two AAA batteries (not included) for up to 6 hours of operation. Movo included a windscreen and lapel clip for use with the lavalier microphone. 

SPECS

• System Specs 
• RF Modulation: GFSK 
• Frequency Band: 2.4GHz 
• Frequency Response: 35Hz-14 KHz+/-3 dB 
• Signal to Noise Ratio: 84dB 
• Audio input connector: 3.5mm TRS 
• Distortion: 0.5% (-60 dBV, 1 kHz input)  
• Power supply: Two AAA batteries (up to 6 hours of run-time)  
• Transmitter/Receiver Dimensions (each):  1.8″ x 2.8″ x 1.4″ (45 x 70 x 35mm) 
• Weight (each): 47g (1.7 oz) without batteries  
• Lavalier Mic Specs 
• Polar pattern: Omni-directional  
• Frequency Range: 35Hz ~ 18 KHz  
• Signal / Noise：74dB SPL  
• Sensitivity: -30dB +/-3dB / 0dB=1V/Pa, 1 kHz  
• Connector: 3.5mm TRS  
• Cable Length: 1.2m (4’)
• In The Box
• 1 receiver and up to 2 transmitters
• Lavalier microphone, windscreen, lapel clip
• Belt clips and shoe mount
• Cables for cameras and smartphones
• Hardshell storage case

USER EXPERIENCE

I firmly believe that having equipment that is available for those ‘just in case’ moments is very necessary. But, as my fiancé likes to say, “More isn’t better. Sometimes it’s just more.” She picked that up from one of her favorite movies, Sabrina, and in this case, it makes perfect sense. With a lavalier system, I don’t necessarily want a set-up that costs and arm and a leg and can be used with an entire cast of characters. I just want something that works well, is lightweight, and affordable. This set fits that definition. 

First, the set costs $129 (at the time of publishing this article). It’s affordable and you get a lot in the kit for what you pay. I was really impressed with the quality of the parts of the system and thought it was a very cost-effective option for a wireless microphone system. Even though there are a lot of parts included, the system is incredibly lightweight. The entire system only weighs 10.7 ounces, which is only 2 ounces more than an iPhone 11 Pro Max. Even though it comes with a hardshell case, the kit is very portable and easy to toss into my camera backpack. Finally, how does it work? It’s actually very easy to operate. Once you have placed batteries into both the transmitter and the receiver and flip them on, you have to link them together. Then, you plug the microphone into the transmitter and the receiver into your camera. I plugged these into a Canon 5D Mark IV for testing and it worked flawlessly. 

Aside from a quick connection check, I also did a soundcheck while sitting next to the camera and then I got up and walked away from the receiver. I left my camera with the receiver plugged in on my desk and walked into a separate room. I would say I was approximately 15-20 feet away from the receiver with a wall in between and everything I said was recorded crystal clear. Since I was walking while talking I thought the microphone might pick up a lot of environmental noise like my jacket rustling or my footsteps. The only thing I was able to hear aside from my voice was a loud creak of a floorboard as I walked back and forth. There were a couple of people in a room that was probably another 20 feet away from where I was recorded and the microphone didn’t pick them up or the background noise from their room. For such a budget-friendly system, I felt like it performs just as well as some professional-level lavalier systems that cost 2 or 3 times more than the Movo system.

CONCLUSION

Because it is so cost-effective and it works like a pro, I think that every photographer should carry this system with them. It comes in quite handy and since it’s universal, it pairs with everything. The only criticism I truly have is that there is no display on the receiver so that you can see what the volume is set to and that you have to use AAA batteries rather than the units be rechargeable. Aside from that, it’s a great set. 

For more details, visit MOVO, Facebook, and Twitter.

Enhance your next meeting with the Catchbox Lite throwable system.  Engage the audience and never fear a dropped microphone again.

Just before school starts every year, our local church puts on an amazing activity titled Jumpstart.   Schools send information about families in need, and our church graciously pampers them for a day.  We start the atmosphere in the main sanctuary, with countless volunteers acting as host families.  Roughly 100 children and their families meet their church host family and enter into a room with loud popping music, a volunteer DJ, an MC and copious amounts of energy/excitement.  Each child is announced and cheered for; each family is brought to a seat and welcomed and giant beach balls are sent out into the audience.  Gifts are thrown out to include little footballs, frisbees, and shirts.  The MC brings kids up to the microphone, kids are allowed to dance on stage and the day continues to improve.  They get their hair cut, they get a lunch, then the kids get a small presentation on healthy food, while the parents get a financial planning lesson.  At the end of the day, each child is taken and allowed to shop for outfits for school, with the host family.  Ultimately, they are shown love, respect and that they matter.   My wife, children and I have participated in this exceptional service event for the last four years, and we continue to be humbled by the opportunity to give back.  Unfortunately, one of the biggest concerns regarding an event of this magnitude is about the safety of the tech.  If you have any AV equipment, you know the fear of dropping a microphone, a camera, or any other piece of hardware.  What if you do not have to worry?  What if you need not fear flubs, butterfingers or the floor?   What if you could throw a microphone into the audience, like the rolls at Lamberts Restaurant in Sikeston, Missouri?

Catchbox produces three tiers of throwable microphones, the lite, the pro and the plus.  Each one of the devices was designed to playfully engage audiences of different sizes.  The Catchbox Pro will allow you to use your own belt pack transmitter or lavalier microphone, inside of a throwable shell.  It was designed for larger venues and for locations that already had microphone setups.  The Catchbox Plus, like the Pro, was designed for 1000+ people in large areas and had wireless capabilities.  For most of the needs I could imagine, the Catchbox Lite was the Goldilocks of the three options.  With a built-in transmitter, audience support up to 100 people, a built-in microphone, active automute, dirt repellant, and customizable, interchangeable covers, I was most interested in the Catchbox Lite.  The Catchbox Lite Microphone arrived in an 8 1/4 inches long by 7 3/4 inches wide by 8 1/2 inches white retail box.  The front panel displayed the CATCHBOX Lite Logo and “The Throwable Microphone For Audience Engagement.”  The top panel displayed a visibly appealing black X logo, with a central white plus icon within the negative space.  Both side panels and the bottom panel were devoid of writing and came together like an origami box, combining two triangular halves into the square side.  When I opened the box, I was greeted by an amazing view of the white, padded, throwable microphone.  Even better, the MacSources logo shone brilliantly against the white canvas.  Like a proud artist, I could not help but stare at the quality of the final product.

One of the coolest aspects of this device and the company was the ability to customize the outer shell.  When ordering, you can choose to have a blue, green, orange, white or dark gray device and then upload your own logo.  If these colors do not meet your needs, you can customize the color for an extra fee ($50).   For the small fee, you can adjust the R/G/B coloration, to your heart’s content and then upload your logo graphics.  I was very happy with the basic white color and with the lime green/black coloration of the MacSources logo.  I lifted the 7 inch (18cm), 12.52-ounce cube out of the box and set it down on my counter.  The black microphone with white “+” across the top provided a stark contrast against the white outer shell.  Gripping the black padded microphone cover, I was able to remove the 5.67-ounce transmitter from the outer shell.  The transmitter measured 6 5/16 inches tall by 4 1/2 inches diameter.  Atop the transmitter, I found a removable foam cap affixed via velcro to the foam transmitter body.  Along the back of the transmitter, you will find an access panel with a very small pairing button, a power switch, and a #2AA port covered with a velcro retention strap.  Just to the side of the pairing button, I found an LED status light.  When powered off, the LED was extinguished.  When powered on and unpaired, the light illuminated green and intermittently flashed.  When paired, the light would continuously emit a green coloration.  When running low on batteries, this would change to red. Insert two AA batteries, turn the device on and then replace the transmitter into the outer shell.  If you do not hear a satisfying click, rotate the microphone until the magnets engage.  If this method is not ideal for you, there is a small triangle on the transmitter and one on the inside of the CATCHBOX shell that will help you to align the parts.

Setting the microphone/transmitter aside, I returned to the box to evaluate the contents.  I found a CATCHBOX Limited Warranty card, which discussed what was and was not covered by the warranty.  The 1-year warranty did not cover normal wear/tear, any non-authorized purchase, the outer foam cover, batteries, foam caps, loosening of adhesives, accidental damage, nor injuries sustained by not following guidelines.  I also found a green Catchbox unboxing paper that offered a 15% discount offer.  On the back of the paper, I found a list of three possible games to play with the microphone.  Throw it like a bride would throw a bouquet, a hot potato game, and the name game.   I also found the main receiver box, which measured 5 inches long by 5 inches wide by 1 1/2 inches thick and weighed 9.5 ounces.  The bottom had 4 rubberized, anti-slip feet, which did a great job at keeping the device on my desk.  The front of the receiver had two knobs, one for power on/off and another for volume.  There was an LED embedded into the top of the power knob, which served to provide useful information about the status of the device.  Flipping the device around, you can install the two included antenna into the dual antenna ports and then angle them obliquely outward.  Looking from your left to right, you will find the pairing button, the audio-out, and 5VDC power input port.  If you continue to remove contents from the box, you will find a 58 1/2 inches long power cable and a variety of wall outlet options: Type A (USA), Type C (Europe/Asia), Type G (Germany/Ireland).  Lastly, you will find a bag containing a 1.5meter 6.3mm to 3.5mm cable, a 6.3 to 3.5 mm adaptor, a 6.3 to RCA adaptor, Catchbox Light USB Adaptor,

The main draw for the Catchbox Lite was the ease of setup.  For our first test, I took it to the balcony of our sanctuary, where the Allen and Heath SQ6 Soundboard was located.  We immediately realized that the included adaptors would not work for this particular soundboard.  My friend Toby and I used a Direct Box to attach the receiver to our sound system, turned on the power, and then turned up the volume.  If you did not have a direct box, we realized that a 1/4″ female to XLR male adaptor would work.  We made sure that the devices were paired and then I walked down from the balcony and stood on the main stage of the church, approximately 125 feet from the balcony.   If you have not guessed, our church is rather large.  Without any other people and with quasi-line-of-site, I was able to test the microphone and the PA system worked very well.  Holding the microphone about eight inches (20cm) from my mouth (as discussed in the manual), I was able to project my voice as clearly as if I was using one of our belt packs. A few church friends and I played a game of hot potato and enjoyed that the there was no whooshing noise, no travel sound and no banging/stopping sounds as it was caught or accidentally dropped.  Yes, this was dropped a few times during the testing, mostly by my children.   Aware of the limitations of the Catchbox lite, we decided to try the device for our Jumpstart.  The 2.4GHz radio was no much for the >100 people and the signal distance was too great.  During the event, we had great use of the device as we stood under the balcony, but as we moved towards the front of the church, the signal became intermittent and dropped out.  Our other microphones overpowered the Catchbox Lite and proved the capabilities and limitations of the device.  I do not use this example as a means of adding demerits to this device, as it actually exceeded my expectations.  I was well aware of the specifications before testing the device.  The fact that it worked in the sanctuary at all was surprising.

This system uses a 2.4GHz radio spectrum, which is free to use without any form of license.  For the event mentioned above, the Pro device likely would have served us better because we already had beltpacks.  However, we still enjoyed the use of this device, just in a different venue/location.  Within our children’s wing, we have a separate, smaller staging area for kids.  Here, we have about a 25-foot range from the stage to the soundboard and typically have ~30 children.  The leader asked questions, tossed the Catchbox into the audience and the kids were able to catch it, respond to it, and pass it back.  The smaller venue worked incredibly well, and this microphone kit worked perfectly.  Between the 300+ people in the sanctuary and the 100+ foot distance, the 2.4Ghz signal was absorbed by bodies/walls, floors and distorted by numerous cell phones.  Essentially, we proved the overcrowding of the 2.4GHz spectrum with our macroscopic test.  By limiting line-of-sight obstructions, placing the receiver markedly closer to the transmitter, following the instruction manual, keeping the antenna oblique (“V” shaped) from the receiver and avoiding areas with high signal interference, our youth pastor was able to enjoy a call/response session with our children.  We did learn to throw the microphone holding the side and passing it like a water balloon. My six year old tried to toss the device using the lower carry handle and shot the transmitter out

Summary:

The microphone kit would work perfectly for a classroom, boardroom, children’s church, small to medium adult church and even some small sporting events.  The Catchbox Lite kit came with most of the adaptors that I would need to use the microphone.  To use the kit with our soundboard, we did have to use a more specialized 1/4 female to XLR male cable, which was not included.  If you have worked with any AV tech, you know that cables and adaptors are a way of life.  The instruction manual was useful, easy to navigate and very beneficial.  We learned how not to throw this system and that it was meant for small to medium size groups.  If desired, you can buy more covers, or you can buy a travel case for the device.

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A superior all-purpose desktop microphone.

When I watch a stream or video that has poor audio, I find myself jumping out early. It doesn’t matter how good the content is, if the audio is terrible, I just can’t make myself watch it. Sometimes all it takes is upgrading your microphone to make all the difference in your audio quality. With so many microphones in the market, it can be hard to decide which one will work best for you. Sometimes, one size does not fit all so I’ve found it’s best to narrow down your main purpose for needing a microphone and then search based on that. With that in mind, I would like to introduce you to the Samson G-Track Pro, a professional USB studio microphone that can be used for a variety of purposes including music recording, podcasting, and gaming/streaming.

Details

Because Samson knows that narrowing down your needs can be difficult, they tried to create an amazing all-purpose microphone with the G-Track Pro. They refer to it as a complete recording solution for capturing vocals and instruments. The microphone is a multi-pattern USB condenser microphone, audio interface, and mixer all in one device. It can deliver up to 24-bit, studio quality sound. The G-Track Pro makes set-up simple by providing a plug-n-play solution for microphone use. You simply connect the USB cable to your computer (or other interface) and start recording. There are no special drivers needed.

The microphone features dual 1″ (25m) condenser. It is compatible with most computer-based digital audio workstation software. It has the ability to record microphone and instrument input simultaneously. There is a 3-color Power/Clip/Mute LED and an integrated desktop base for the microphone.

SPECS

• Polar Pattern: Cardioid (unidirectional), bidirectional, omnidirectional
• Capsule: Dual back electret condenser
• Diaphragm Width/Thickness: 25mm/3 microns
• Frequency Response: 50Hz–20kHz
• Sensitivity: +6dB FS/PA (all polar patterns)
• Max. SPL: 120dB SPL
• Bit Depth: 16 or 24-bit
• Sample Rate: Up to 96kHz
• Digital Output: USB
• Headphone Output: 1/8″ (3.5mm)
• Headphone Impedance: 16Ω
• Headphone Power Output: 85mW @ 32Ω
• Instrument Input: 1/4″
• Instrument Input Impedance: 1MΩ
• Controls: Mute, Mic/Instrument/Headphone Volume, Monitor On/Off, Mono/2 Track
• Product Dimensions: 4.5″ (116mm) x 10.5″ (268.5mm) diameter
• Product Weight: 3.52lb (1.6kg)

User Experience

The G-Track Pro arrived in some nice packaging. The box is blue and white with a few images of the G-TRACK Pro on the outside. There are some basic details of the microphone posted around the outside of the box in multiple languages. When you open the box, you will see the top of the Mic. There is quite a bit of protective cardboard as well as bubble wrap in the box with the microphone, which comes pre-assembled. After removing the microphone from the cardboard, you are left with a USB cable, manual, and two small square cards — one is for registration and the other is to download AudioDesk software. Downloading the AudioDesk software is a nice touch, but not necessary if you have a program like Final Cut Pro, Adobe Premiere or even Garage Band as you can record voice as well as other types of recordings directly into those programs. 

I really appreciated that there are no complications when it comes to getting started with the microphone. You don’t have to assemble the stand or update any systems on your computer. It really is just plug and record. The manual is quite nice as you are getting started. It’s got a glossy finish and it’s really written well. It’s one of the nicer manuals I’ve seen. It’s very easy to find the information you are looking for and easy to understand.

As for the microphone itself, it’s an impressive piece of audio equipment. It’s got some weight to it. I appreciate this as it keeps it grounded to its location and it doesn’t move around. It’s sturdy and it just feels well-made. The USB cable plugs into the bottom of the microphone and this is really the only thing I don’t like about this design — the cable gets bent. Because it has such a sizeable plug end, if the microphone is sitting vertical, the cable gets bent at a 90º angle. I’m sure the product designer reinforced the USB cable, but it is still concerning as a user to see the cable under obvious stress.

In order to test the Samson G-Track Pro, I decided to complete a short test recording with the help of Robyn, one of the Senior Writers here at MacSources. She recorded herself reading a short passage from Stopping by a Woods on a Snowy Evening by Robert Frost. She read the excerpt using the Cardioid setting while sitting various distances from the microphone (6 inches, 12 inches, and approximately 3 feet). She tried her best to keep her voice steady so that she didn’t over project when she wasn’t farther away. Here is the recording.

I have to say that I was very impressed by the sound quality of the recording. We recently reviewed a compact microphone by Turtle Beach that was designed specifically for gaming and video streaming. While it worked well for what it was designed for, that microphone can’t really compete with the G-Track Pro when it comes to overall quality. You can hear a pretty great difference between the distances when you listen to the demo above but the quality is still crisp and there is virtually no ambient noise bleeding through to the voice track. That said, it’s apparent to me that the closer you are to this microphone, the better the recording will be. With that in mind, I would recommend it for voiceover work and/or podcasts because you have the ability to sit closer to it than you do with other types of use.

CONCLUSION

Even though you can’t always find one microphone to work for all types of recordings, the G-Track Pro comes very close. It’s built extremely well and the quality of the recording can’t be beaten. My previous microphone of choice was the RODE Podcaster. While that is still a very nice mic, the quality of the recording I did with the Samson G-Track Pro is far beyond what the Podcaster can do. The recordings are like night and day. The G-Track Pro is a larger desktop microphone so if you can’t spare the space, you might want to look into something that is a bit smaller. The only problem I really have with the design is that it’s locked into being a desktop microphone and it can’t be mounted anywhere else. I’m willing to overlook that though given it’s extreme ease of use and excellent audio quality.

For more details, visit Samson.
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